REVIEW: SYNKVERVET – “Mistborn”
Posted by Metal Divas
Synkvervet‘s new album entitled “Mistborn” showed up in our inbox, out of the blue, and we are really fascinated with this band. For those of you who don’t know, Synkvervet hail from the land of Norway and this should definitely govern your senses for what’s about to happen. Originally started out as a one-man studio project by Ingemar in the fall of 2011 to slowly evolve to the six piece metal ensemble that they are now. The name means illusion and comes from the Old Norse sagas, in case you were wondering.
So far Synkvervet has release two full length albums, one EP and two singles. More specifically their debut “Vår avmakt” (2013), their sophomore album “Trollspeil” (2014), the EP “Forgotten Memories” (2015) and the singles “Ishjerte” and “Aurora” both in 2016 all of which received favorable reviews in general. The band’s new, third full length album, is called “Mistborn” and its set to be released in the end of May (2017).
I have been listening to “Mistborn” for the past 3 hours in repeat and I can only acknowledge that Synkvervet did a terrific job with this album and delivered some of the finest Symphonic Black Metal tunes nowadays. The band is capable of infusing chilling Black Metal euphonies with Symphonic transitions having three different types of vocals; Yes, that’s correct. Christina is handling the female operatic voices, while Truls is liable for all grim/growls in the album and then there’s Niclas, the bass player, with his unforeseen melodic tone giving a melodious emphasis in the musical compositions. Everything sounds genuinely well blended and you can tell Synkvervet put a lot of thought and effort in their arrangements.
“Mistborn” is full of Symphonic harmonies and thrilling Black Metal outbursts all united by Folk mysticism and spiritualism. Lyrically the band cross Nordic pagan pathways along with mythology and folklore in a singular weave of interpretation. All songs are well orchestrated and all instruments well balanced with the operatic vocals sharing the growls and grim chorals in the majority of the album, while the melodic voices primary uplift our senses to memorable themes. I was pleasantly surprised with the language variety in Synkvervet‘s new release, as the band serenades in English and Norwegian (if I am not mistaken). It definitely elevates the whole darkened atmosphere of “Mistborn“.
My personal favorites include “Into Oblivion” which hands out an overture of immense vocal unity, “Lost in the Shadows” in which Truls really stands out with his warbling abilities and range, all under the fiery echo’s of Symphonic Black Metal, “Alone in Eternity” with its grandiose rhythm and obscurity and “Aurora“, which in my opinion, is the highlight of “Mistborn” as it conceptually demonstrates the release as a whole.
Overall “Mistborn” sounds crisp and thoroughly produced with the mix being downright heavy and fitting for Synkvervet‘s character. The band conveys a mature act with wonderful, dramatic arrangements and melodies gifted to gratify the listener from beginning to end. I am certain I will be listening a lot to this album in the upcoming weeks and I recommend it to all supporters of the female fronted Symphonic Black Metal scene. Exceptional work Synkvervet, well done!
“Mistborn” – Tracklist:
02. Anthem to the North
03. Into Oblivion
05. Through the Eyes of a Demon
06. Lost in the Shadows
07. On Raven Wings
08. Alone in Eternity
10. I Den Svarte Solens Rike
Christina – Vocals, Lyrics
Truls – Grim/Growl Vocals & Lyrics
Ingemar – Guitar & Programming
Niclas – Bass, Vocals
Rino – Drums
Espen – Guitar